“I’m a writer and a storyteller. Different stories need different kinds of voicing.” These are the words of SassyBlack – aka Seattle’s Catherine Harris-White – an artist, producer, writer and all around versatile expressionist who generates work at such a high volume that it can feel at times that she’s doing so that no one genre, label or category can catch up to her.
Technically speaking, summer doesn’t begin until the Summer Solstice on the 20th. That said, Seattle recently experienced a straight week of sun and I’ve already been told by two separate individuals that my shorts are inappropriately short, so for all intents and purposes, SUMMER IS HERE!
Seattle filmmaker Wes Hurley recently debuted his newest project, Little Potato, to cheering audiences at SXSW. Metaphorically, the movie (co-directed by Nathan Miller) is a story about suffering repression and experiencing relief. Literally, though, the story is about Hurley and his mother leaving a dangerous and corrupt Russia to find freedom in America.
After a year of hype, immense amounts of money spent, and the announcement of an obscenely large lineup, Upstream Music Fest + Summit is finally here. Paul Allen’s bloated brainchild will light up Pioneer Square from Thursday till Saturday with a host of shows, panels, and lectures.
I was left with a strange feeling yesterday after watching the replay of last weekend’s Saturday Night Live. Part of it was from the fact that Chris Pine had to sing almost every time we saw him in the episode, which was weird. But it was mostly due to the sketch where a group of tough, masculine auto mechanics all came out to each other as closet RuPaul’s Drag Race fans.
Frankly, it’s hard to look through the festival schedule without seeing something worth attending or watching. But, for those who can’t commit to attending 10 days worth of films and activities, we’ve put together a Totally Unofficial Guide of our picks.
Obviously, I can’t stop straight, white, indie dudes from doing their thing. I’m sure they’re going to write their bullshit essays whether I read them or not. But what I can do is interrogate the implicit politics of these situations and encourage others to do the same.
There’s a profound difficulty in locating any of Charli XCX’s music historically, or even within the continuum of her own output, because she’s never made the same thing twice. As a fan this is thrilling, but as a critic it’s deeply puzzling.
To this list of historical blowouts, I’d submit this date for inclusion: Monday, February 27, 2017. Monday night, in the belly of the newly renovated Neumos, Cakes da Killa, Mykki Blanco, and a host of local performers threw Seattle an enormous, kaleidoscopically diverse party. It was the kind of thing we need more now than ever.
Between Gary from Chicago and Warren Beatty’s Steve Harvey moment, the 2017 Academy Awards will be remembered forever. But more importantly, this year’s Oscars made history with the first ever LGBTQ film achieving the Academy’s highest honor: Best Picture!
Cliché’s aside, everyone loves a comeback kid. In March of 2016, Kehlani, the R&B wunderkind behind a series of commercially and critically successful EPs posted an Instagram of an IV. In the caption, she alluded to attempting to take her own life and addressed swirling rumors about her relationships and alleged infidelities.
This Fall, I got sushi with Michete and we talked about their music, Kanye West and our shared Spokane upbringings. At the time, they told me off the record that they were working on the lead single from their next album, Cool Tricks 3.