Everything Like It’s the Last Time tenderly takes back a survivor’s agency, giving the artist, and the audience, permission to feel what was too painful before, and to exist in the way we so badly want to as queer and trans survivors. Because of Astronaut9’s generous narrative, when you listen to this project, you also are heard.
Copyslut flaunts the theatrical charm of a glam band, but that doesn’t mean they’re all flash and no substance. They make bold music about sex work, queer love, and mixed-race identity. I got to interview lead singer Chatz and lead guitarist Ray about their influences, the story of their band name, and how a karaoke performance of Queen’s “I Want to Break Free” started it all.
Abby Posner found a surprising queer anthem in a late-nineties punk song. She’s the first to admit punk band Alkaline Trio’s “Cooking Wine” is not a queer song but, growing up queer in rural Colorado in the nineties, she took what she could get.
Kim Petras could be the next big pop star, and the fact that she’s transgender is secondly, thirdly, or even fourthly, a talking point.
Queer female rapper DEVMO just dropped the music video for her summer single “Stayin’ Here.” The music video takes place at a golden hour beach party where friends laugh together by the ocean (perhaps in Santa Monica, where DEVMO hails from). It's a classic millennial...
Saint Taint, a trans-femme artist, recently released a new video for their single “I Got Lies (feat. Mïrändä).
Seattle genre-fluid band Nauticult has decided to change it up again. “We’ve recently decided to, instead of calling ourselves experimental hip hop, call ourselves experimental punk. That was a long discussion,” says vocalist Austin Sankey.
It’s hard not to think about today’s rapidly changing and gentrifying Seattle when listening to the latest single from Emma Lee Toyoda, ‘i don’t wanna play your show.’ The song is raw and punk, like skinning your knee on the concrete floor of a basement house party mosh pit. And then getting up and moshing again anyway. It’s a departure from the more folksy, ethereal, indy sounds of their previous work.
It takes a skilled artist to transform dysphoria, loneliness, and chronic illness into catchy punk tunes you can scream along to in a sweaty basement. Chan Benicki of Porch Cat has the chops to do just that. Their music is tinged with anger and sadness, but never sounds pessimistic. For every moment of despair on their latest album, the self-titled Porch Cat, there’s a balancing moment of hope.
We’re back with The Beat, hosted by CarLarans, your home for the hottest rising stars in Seattle’s queer music scene. This week we’re joined by legendary singer, actor, model, curator, and producer Adé!
I am a deeply impractical person, and formerly a chubby, manga-obsessed middle-schooler, which means I’ve long been obsessed with the Japanese art of ikebana, or flower arrangement. It fascinates me for a variety of reasons (its position as an ideal pursuit for generals and accomplished warriors, its spiritual components, its dense, specific visual vocabulary, the fact that I’m a swishy brat who loves flowers) but the aspect of the practice that I’m most fascinated with is its adherence to the aesthetic concept of ma.
Mary Lambert, the Seattle-area songwriter made famous for her feature on Macklemore & Ryan Lewis’ song, “Same Love,” is returning to the Emerald City stage Oct. 29th to play a set at the Crocodile Café. For one of music’s best – and most vulnerable – stage performers, coming back home will prove both cathartic and joyous.